Studio Brief 1 - Book binding analysis exercise

As part of our progress into the guide book design, we were tasked with comparing and analysing the binding used in existing books and whether or not this was presented appropriately in context. This meant looking at the colours, binding, typeface, materials and choice of imagery to get an understanding of the intentions of the books.

Fear and Loathing in Las Vegas - Hunter S. Thompson

• Cover art shows black and yellow illustrations which reflect on the hallucinogenic themes of the book. Therefore appropriately fitting for the context.

• There are several illustrations throughout the book which depict certain scenes from each chapter. This way the audience can get a brief glimpse at the interpretation of the authors experience of using drugs.

• As the book is centred around drug use and the effects it has on people, which is demonstrated through the loose drawings and over the top illustrative nature of the book.

• From first glance we could guess that a book of this type would likely be marketed to people aged 18 and above.
• The typeface on the cover is also reflective of the themes of the book as it shows free hand lettering, as if it had been quickly painted by someone. 
• The book also touches on the themes of journalism, which makes the body text for the book appropriate, being in Times New Roman. 

• The last few pages of the book advertise other books that have been either written by the same author or are based on themes of a similar nature. 

The Art of Forgery - Noah Charney

• The type used on the cover of the book clearly reflects the nature of the content. This is done by reversing several words to mimic the idea of forgery and mirrored imagery.

• High quality binding is reflective of the audience that the book is likely intended for, as it is uses semi glossy covering and raised text in certain areas. 

• It's clear from first glance that the book is likely to be marketed at people aged 14 and above who may take an interest in art history.
• Hard back with de-bossed lettering.

• the typeface is reflective of the modern process of authenticity.